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Brothers Anthony and Demarre McGill have achieved a phenomenal level of success in the classical music world. The only siblings ever to win the prestigious Avery Fisher Career Grant, Anthony was appointed the principal clarinetist of the New York Philharmonic, and Demarre is the principal flutist of the Seattle Symphony. The Grammy Award winning Catalyst Quartet and harpist Charles Overton join these two outstanding wind musicians for a program that encompasses new works by Jeff Scott and Brian Raphael Nabors and Ravel’s dazzling Introduction et Allegro.

Saint-Saëns: Fantaisie for Flute and Harp, Op. 124

Scott: Sextet World Premiere/PCMS Co-Commission

Nabors: 7 Dances Philadelphia Premiere

Ravel: Introduction et Allegro

Use The Brothers’ Network’s discount code “BRONET24” when purchasing tickets.

“Melodic precision, harmonic erudition, and elegant restraint” (New York Times) are hallmarks of Aaron Diehl’s playing. Praised for his “freedom and playfulness” (Philadelphia Inquirer), this celebrated musical polymath makes his PCMS debut with a program titled: An Evening of Ragtime and Harlem Stride. One of the most athletic forms of jazz piano from the early 20th century, “stride” features a characteristic leaping left hand and a heavy use of improvisation and syncopation. It was also highly competitive. Pianists would often have “cutting contests,” many times at Harlem rent parties, where performances occurred in homes to help the tenants and musicians make ends meet. Aaron Diehl’s Valentine’s Day recital connects that history to our current time with a concert featuring compositions by James P. Johnson, Thomas ‘Fats’ Waller, Willie ‘the Lion’ Smith, and other luminaries from the 1920’s.

An Evening of Ragtime and Harlem Stride featuring works by Eubie Blake, Fats Waller, Jelly Roll Morton, Scott Joplin, and more

Some arguments about race refuse to go away. It’s time, once and for all, to shatter them.

The most toxic racial arguments share one of five traits. They try to erase Black history, prioritize white victimhood, deny Black oppression, promote myths of Black inferiority, or rebrand racism as something else entirely. They’re all designed to distract society from racial justice, but now we have the tools to debunk them.

With a mixture of personal experience, reportage, and extensive research, Keith Boykin takes a wrecking ball to twenty-five of the most widespread deceptions about race, such as:

The Civil War was about states’ rights, not slavery

Affirmative action is reverse discrimination

Critical Race Theory is indoctrinating children to hate one another

and shows us how to refute lies, myths, and misinformation with history, knowledge, and truth.